Rain Songs

I've had a playlist for many years now that is simply entitled "Rain Songs." When the weather is dreary or my emotions equally so, I put it on.

Not all the songs are sad, but for sure have a melancholy theme throughout. (Why do we equate rain with sadness? Rain brings life and growth and renewal.)

A few lyrical snippets:

Once upon a time in the land of misty satin dreams
There stood a house and a man

who painted nature scenes

He painted trees and fields

 and animals and streams 

and he stayed
And he didn't hear the falling of the rain

No, he didn't hear the falling of the rain.

 

In the forest green lived a girl who put her hair in braids
And she sang as she walked all about the wooded glades

She was glad when the rain came falling on her face 

and she sang
'Cause she did not mind the falling of the rain
No, she didn't mind the falling of the rain.

 

Will it always be the same as we recall?
Does it touch you when the rain begins to fall?
Ah, but I don't want to know and I don't want to see
Another rainy day without you lying next to me.

 

                            - Falling of the Rain (Billy Joel)

 

 

 

Don't you fret, M'sieur Marius -
I don't feel any pain
A little fall of rain
Can hardly hurt me now;
You're here, that's all I need to know.
And you will keep me safe,
And you will keep me close,
And rain will make the flowers grow.

 

- A Little Fall of Rain (Les Miserables)

 

 

 

 

So, I just did me some talking to the sun                  
And I said I didn't like the way he got things done, sleeping on the job -
Those raindrops are falling on my head, they keep falling...

But there's one thing I know,
The blues they send to meet me won't defeat me,
It won't be long 'til happiness steps up to greet me.

 

 - Raindrops Keep Falling on My Head (B.J. Thomas) 

 

 

 

Remember when it rained?

I felt the ground and looked up high and called your name;
Remember when it rained?
In the darkness I remain...

 

 - Remember When It Rained (Josh Groban)

 

 

 

 

When the rain comes it seems that everyone has gone away
When the night falls you wonder if you shouldn't find someplace
To run and hide, escape the pain -
But hiding's such lonely thing to do.

 

I can't stop the rain
From falling down on you again
I can't stop the rain
But I will hold you 'til it goes away.

 

When the rain comes you blame it on the things that you have done
When the storm fades you know that rain must fall on everyone
So rest awhile, it'll be alright
No one loves you like I do.

 

When the rain comes,
I will hold you.

 

- When the Rain Comes (Third Day) 

 

Dream

 I had a dream last night that my siblings and I were on a road trip with my grandmother. There were five of us - my older sister, me, and the next three in age order (brother, sister, brother) - being driven by grandma in her reliable dark blue sedan. Somehow, miraculously, this five-seat sedan had gained a third row, so my older sister was up front, my closest brother and I in the middle, and my younger sister and brother in the back. We drove through the day and drove through the night. The destination was important, but unclear. We stopped for food and sometimes to sleep, but much of the journey happened late at night, streetlights flicking by, the brief light illuminating our hands and faces. Our quiet conversations filled the long hours. We talked and laughed and dozed. Grandma frequently turned back to check on us, smiling.

It's funny how after fifteen years you can still see someone's face so clearly. 

I remember long drives with her to the bottom-most corner of Texas to visit my aunt and uncle, short drives to the movie theater near her house or to church, medium drives around town. 

I learned to drive in that dark blue sedan after she upgraded to a newer - but still reliable and practical - car. 

I learned to grieve when she became the first grandparent I lost. 

There are so many adult experiences I wish I could have shared with her. The joy of a marriage proposal, the excitement of college graduation, the heartbreak of rocky relationship realities, the desperation to find contentment in work, the fulfillment of creating a home, the lessons that life's ups and downs gradually teach. So many times I wish I could see her face for real and hear her voice. To see her smile as her grandchildren laugh together, faces illuminated briefly in the night.

End of an Era: a film review of "Logan"

The X-Men cinematic universe had been part of my life for...well...more than half of my life. The only film in the franchise I never saw in theaters was the first one, simply titled X-Men. I was 12 when it came out in 2000, and it was a PG-13 movie. My parents were pretty strict about waiting to see movies at the appropriate age (a policy I agree with. I was pretty upset to see young 12- and 13-year-olds in the theater for R-rated Logan. But that's another blog post).

But I saw X2 in theaters. And X-Men: The Last Stand and X-Men Origins: Wolverine and X-Men: First Class and The Wolverine and X-Men: Days of Future Past and X-Men: Apocalypse....you get the picture.

9 movies over 17 years. (Technically there have been 10, but I don't count Deadpool, because: eww.) My birthday is in late May, and these films had a habit of opening over Memorial Day weekend, so it became a "birthday week" tradition for me to go see the latest X-Men movie. These movies are over-the-top action that rely on high-tech CGI effects and crashing soundtracks and cheesy one-liners, but I love them. I love the idea of kind-hearted Professor X searching the globe for young mutants and taking them into his care and protection. I loved the ivy-walled school that looked like any other but contained shape-shifters and ice-breathers and blue-skinned geniuses. I rallied for those who decided to use their powers for good and booed for those that didn't. I  contemplated the ongoing and tumultuous rivalry between Professor X and Magneto and wondered if the metal-bending supervillain would ever listen to his calm and cerebral former friend and find peace (and since the newer films fill in more of Magneto's tragic backstory, the answer is probably not).

And there in the center of it has always been Wolverine. Ageless, death-defying, world-weary Logan, born with powers that he didn't want, especially after those powers were enhanced through cruel experimentation. Over the decades covered by the films Logan saw friends, family and loved ones come and go. He fought for himself and fought for his friends. He chomped on cigars and rode motorcycles and donned leather jackets emblazoned with a giant "X." And now, 17 years after making his first appearance on the big screen, the story of the Wolverine (as portrayed by Hugh Jackman) is coming to an end.

 Logan is a brutal yet fitting end to his story. I went into the theater as prepared as I could be, knowing that the stylized violence of the previous PG-13 movies was going to be viciously ramped up in this R-rated finale. There were many gruesome moments when I had to look away. And as much as I did not enjoy that part of it, I do understand the reasoning behind it. For 17 years we've cheered as metal claws sprouted from Wolverine's knuckles and he bloodlessly dispatched the bad guys. But now we finally understand the horrific "reality" of his superpower and torturous aftermath he endures. In almost every film we've seen Logan tossing and turning at night, haunted by the visions of those he's hurt or might hurt. Now we see what he has seen. It is gruesome. It is terrifying. We can understand why it has consumed him.

Logan takes place in a desolate future where mutants are nearly extinct and Wolverine's body is finally succumbing to the poisonous metal buried inside. All he wants for his last years is to live in peaceful solitude with his mentor Charles Xavier (Professor X), who is also nearing his life's end. Xavier possesses the most powerful mind in the universe, but dementia and fatigue have turned his own mind against him and made him dangerously unstable. Charles' story literally brought me to tears; Professor X had been the underlying force of calm and reason for all of the X-Men, and it hurt to see him fall prey so cruelly to the ravages of time.

Logan has recruited a pale and placid mutant named Caliban to help take care of Xavier while he's away earning money, but yet again, those who get close to Logan find themselves in harm's way. Soon Logan and Charles are on the run again, unexpectedly protecting a powerful little girl from the evil forces that pursue her. Logan is tired. His body isn't healing anymore. But he will still do whatever it takes to protect those in his care.

Amidst the gory battles and frantic chase scenes, Logan does have some sweetly quiet moments. The aging Wolverine finds himself unable to read the small print on Charles' prescriptions, and seeing him peering over tiny reading glasses is hilariously adorable. A small boy clutches a Wolverine action figure in awe while watching his hero in action. And when a kind-hearted family takes the fugitives in for a night, Charles quietly confides to his friend how he long he's dreamed of such a simple, quiet life.

I won't say much more about the plot of the movie, but will end with this: the character of Wolverine spent decades on the fringes of society, fighting to keep himself alive and away from those that wanted to harness him for evil. But once Charles Xavier found him and gave him a home and a purpose with the X-Men, Logan never went back to fighting only for himself. His sole purpose became to protect others. He taught at the school, fought battles alongside the other X-Men, and became part of something. And in Logan, we see that he continues to fight for those who need him, even after everyone who fought beside him has disappeared.

I appreciated that Logan didn't worry itself with character cameos or flashbacks to better times. The era of the X-Men had passed, and we already knew that part of the story. Yes, it is a story about people who can bend reality with their minds and stop bullets with their forearms. But it is also the story of two friends named Logan and Charles; a story of compassion, friendship, and sacrifice.

Muddled morality - movie reviews of "Captain Fantastic" and "Suicide Squad"

I saw two very different movies this weekend: one a limited release art-house piece and the other a definitive summer blockbuster. The films don't have much in common, save for one underlying theme: the consequences of our actions.

Captain Fantastic opens with a violent scene of a teenage boy stalking and killing a deer with his bare hands. As the boy stands over the bleeding carcass, the rest of his camouflaged family rises out of the fauna to celebrate his accomplishment. The boy is proud, but his father is even prouder. Thus we are introduced to Ben, father of six and the titular Captain Fantastic as he congratulates his oldest son on his first real kill and smears the boy's face with blood as a badge of honor. 

Viggo Mortensen plays Ben with a quiet and intimidating rigidity. Contrary to what the above scene suggests, this is not a historic tale; Ben and his wife Leslie fled modern civilization when their oldest boy was only 8 and established a new home deep into the forests of the Pacific Northwest. Ben occasionally takes the family bus into town to make phone calls and get supplies, but their six children have grown up hunting and preparing their own food, undergoing rigorous survival training and never tasting the "poison water" that is soda or having their minds "warped" by organized religion. Ben and Leslie's dream was to raise a band of "philosopher kings" who could make up their own minds and be free from the lies of society. But their dream was tainted by Leslie's mental illness and manic/depressive behavior. By the time we meet Ben he has reluctantly allowed her to be taken to a hospital for professional treatment, and after three months away from her family, Leslie takes her own life. 

As Ben tries to make arrangements with Leslie's parents - who blame him for her death and her departure from Christianity - and decides to venture out with his children on a road trip to New Mexico for the funeral, his way of life begins to be threatened. Ben is utterly convinced that what he is doing is the best possible life for his children. And when it comes to book-smarts, his children are incredibly educated. His 9-year-old can recite the Bill of Rights by heart and can debate the gritty details of many economic-political current events. And survival skills? All six kids can identify poisonous plants by sight, prepare wild game without a second thought and run further and faster than most trained athletes. But there is also so much about the world that they don't know. 

Ben thinks that all the rest of that doesn't matter. He thinks the physical hardship that his kids endure is much safer than the mental dangers of the modern world. Even when his father-in-law threatens to report him to child protective services, he will not bend. It is very, very late in the story that Ben must jarringly come to terms with the damage and endangerment that his decisions have caused.

Ben loves his family with incredible ferocity and wants only the best for them. There is some good in what he has created for them, but in his relentless pursuit for perfection he has lost sight of the big picture and is unable to see the damage he has caused. Ben had caught Leslie up in an dream that she was not mentally prepared to handle, and it broke her. The children keep many secrets from their father in fear. Their middle son overheard a depressive episode where Leslie begged Ben to let her leave, and the son has never forgiven his father for refusing. Leslie had also secretly helped her oldest son, Bo, apply and be accepted to the top universities in the nation, but Bo is terrified of what will happen if his father finds out his plans to leave the homestead.

There is not a clear moral theme to be gained from Captain Fantastic. It is rated R for violence, language, and a completely unnecessary scene of male nudity (not that it is ever necessary, but this was purely gratuitous). It's not a film I can easily recommend or say that I learned a lot by watching. There were several instances where Christianity was bashed - Ben passionately scorns all religion (and has taught his children to do the same) - and immoral actions were celebrated. I left the film thinking it could have been a better story had they found peace relying in the strength of a power much bigger than their own logic and reason. But I did appreciate the clear message that nothing created by man can be perfect. This film is a painful, uncomfortable look at the consequences of selfishness. Hard as we may try, the serenity of the wilderness nor the flash of modern technology can solve all of our problems.

Suicide Squad, one of the mostly highly anticipated blockbusters of the summer, received pretty terrible reviews when it opened in early August. The trailers had thrilled with familiar comic book faces, lots of cool action and a killer soundtrack, but critics called it messy, too crowded with characters, badly edited and formulaic. 

I will start off by saying that I am a huge fan of the Marvel cinematic universe (Avengers, Iron Man, Captain America, etc.) but not really as much for the DC universe (Superman, Batman, etc.). I came into this movie not knowing much about the character backstories, which worked perfectly, since the first third of the movie focuses on filling in as much backstory as possible. 

Through several colorful (and yet very dark) backstory montages we meet Deadshot, Harley Quinn, Killer Croc, El Diablo, and more. Each has done very bad things and are facing the consequences, even if they don't think they deserve it. Deadshot loves his daughter but wasn't willing to give up his very lucrative career as an assassin for her. Harley traded in a life of professional psychiatry for the dark underworld run by her abusive lover, the Joker. Killer Croc was treated like an animal because of his outward appearance, so he became one. And Diablo...well, Diablo is the only truly repentant one of the bunch. He was living the high life due to the terrified respect his fiery powers gained him, but lost the only things he truly loved when he let the power control him one too many times. When we meet him, he is willingly in solitary confinement and refuses to use his powers ever again.

While the redemptive qualities of the above cast could easily be counted on one hand, I still didn't get the impression than any of them were quite as reprehensible as government employee Amanda Waller. Waller has tasked herself with protecting the future against another Superman vs. Batman melee, and assembles these villains as a literal suicide mission in the name of citizen protection so that more of her soldiers don't have to die. But her intentions are far from nobly executed. She mows down a roomful of innocent government employees to keep her secrets safe. She manipulates her right-hand man to make sure he will do anything to see her mission through. And she makes vague promises to the Squad that she has absolutely no intention of keeping. 

As with the movie reviewed above, Suicide Squad is far from a morally black-and-white tale. And yet...I found this to be a much more redemptive story than Captain Fantastic. Many of these characters have something they regret and something (or someone) for whom they would truly give up everything. A particularly tragic moment happens when the villain Enchantress (yes, the villains have to fight a villain) casts a spell that gives many of these characters a split-second look at what their hearts really desire. What each of them sees isn't money or fame; it is reunion with family, redemption from sin, or a simple, loving life.

Hollywood tells us to cheer for the bad guys because they are cool and misunderstood. To laugh at their quips and one-liners. But beyond that, and far from celebrating them as heroes, I appreciate that this movie showed that all actions have consequences and redemption is always possible. One character spares the life of a fellow outlaw even though he knows that doing so will cost him his own chance at freedom. Another lays down his own life to save countless others. And when the world has been saved and the Squad must return to prison they accept (for the most part) that their heroic actions were not enough to atone for their past sins, and that they must each still serve their time. 

Suicide Squad is messy and loud and frantic. It's not a great movie plot-wise; one reviewer compared it to a video game: meet your character, pick their outfit and weapon, defeat the boss, repeat. And it's not going to win any morality-tale-of-the-year award or have clips used during a Sunday School lesson. But I enjoyed it more than I anticipated, and appreciated the humanity it brought to some very broken characters; characters that could easily have been as flat as the pages from which they originated. 

Summer Reading, year 3 - "Artisan Breads Every Day"

The fifth and final goal on my Summer Reading list was to read a How-To Book and then apply what I learned. To read the entire summer series, click the links below:
The Sword in the Stone and Far From the Madding Crowd
Out of the Silent Planet
Everyman
and a bonus, my review of Go Set a Watchman 

The skill I chose to learn more about is bread-making, which is why this post is much later than I anticipated. Bread-making is a process! When I was growing up my mom baked bread once a week (and sometimes more than once a week - life with 9 kids, yo), so I am familiar with the process and the time/effort involved. But I don't bake for us on a regular basis, and lately I've been wanting to experiment more with different types of bread: rustic varieties, sourdoughs, etc.So I purchased the book Artisan Breads Every Day by James Beard-award-winner Peter Reinhart. I was not familiar with Reinhart before purchasing the book, but he has written several titles and won multiple awards. It looked like one of the best options: lots of instructions, illustrations, and scrumptious recipes.

The first recipe I tried was a french rustic bread, which turned out very well. Pretty round loafs, crispy crust, soft and fluffy interior. We ate it hot from the oven with big bowls of homemade chili, then I toasted and buttered it for breakfast, then finished it off with olives and feta cheese later in the week.

The second recipe I tried was a milk dough bread, which is a    dough that incorporates milk and sweetener (sugar or honey) along with the basic dough ingredients (flour, water, yeast, salt). This one did not turn out so well, and I'm not really sure why. I'm going to have to experiment with it more. The dough was extremely heavy and dense - kneading it was almost impossible. It rose admirably in the fridge, but when I pulled it out and let it proof it barely rose at all, even after 3+ hours. I went ahead and baked it, but the loaves turned out short, dense, and a little bit under-cooked in the center. I plan to try again, since it's Reinhart's most basic recipe for sandwich bread and dinner rolls.

The third and final project was creating a sourdough starter ("final" only for the purpose of this blog!). The starter is a bubbling, "living" dough (the same way that normal yeast is alive) that, once completed, is "fed" once per week and kept in the fridge indefinitely. Every time you want sourdough bread you take a little of the starter to use in the recipe and then re-build the starter through the feeding/replenishing process. To create this living, yeast-like concoction, I combined unsweetened pineapple juice and flour, let it sit for two days, added water and more flour, let it sit for two days, added more...etc. This fermented mix creates the slightly tangy, springy bread that is great for sandwiches and soups.

Once the starter was ready, I went ahead and baked a batch of Reinhart's San Francisco sourdough bread. It turned out SO WELL. The dough was smooth and perfect, the loaves rose like champs and the finished loaf was crusty on the outside, soft on the inside, and delicious. Yum.

That concludes my summer reading for 2015. I hope you have enjoyed reading my thoughts and personal musings, because I have enjoyed sharing them. Here's to a lot more great reads this fall!

Summer Reading Goals, year 3 - "Everyman"

Since the first day of fall is not until September 23, I am going to allow these last two books to fall within my goals for Summer Reading. I have completed both of the final goals on my list, but will post them as two separate blog posts since both goals are so very different in content.

The fourth goal completed from my list was to read a non-Shakespeare play.

Poster from The National Theatre's 2015 production

The play I chose to read is not only non-Shakespeare, but predates Shakespeare! Everyman is a morality play from the Middle Ages, the kind of play that traveling priests and church-funded theater groups would perform in town squares with the intent of inspiring (or terrifying) people into repenting and securing a future for their eternal souls. The earliest version of this play is dated around 1378, so why did I choose such an ancient and seemingly obscure play to read?

Well, earlier this summer the National Theater in London put on a modernized version of Everyman, starring acclaimed actor Chiwetel Ejiofor as the title character. Many of their productions are streamed live to cinemas around the world, and the description, photos and trailer enthralled me. I was crushed when it turned out it would not be streamed in Austin, but I hunted down a script at Half-Price Books and read the play for myself.

Everyman tells the story of a man (called only "Everyman") who is approached by Death and told that he must journey to the place of judgement and be prepared to "give an account of his life in this world." Everyman begins to desperately search for a friend to accompany him on this fateful journey, but no one will stand for him. Nothing that he has collected in this world matters when he faces his final judgement.

Chiwetel Ejiofor as Everyman

Everyman is an elaborate illustration of the verse in 1 Thessalonians which says "...for the day of the Lord will come like a thief in the night." As Christians we are taught to prepare our hearts and be ready to meet the Lord at any time, for we do not know when the day of judgement will come. Do we listen and prepare? As Everyman cries out to the shrouded figure before him:

"O Death, thou comest when I had thee least in mind!

... I may say Death giveth no warning!

To think on thee, it maketh my heart sick,

  For all unready is my book of reckoning."

Everyman is abandoned by Fellowship (his friends), Cousin and Kindred (his family), his Goods (wealth and possessions), his Five Wits, and Beauty, Strength and Discretion (earthly/human attributes). As he approaches the place of judgement he comes across his Good Deeds lying weak and wasting in the darkness; he begs them for help, and they want to help him, but they are nothing without his salvation. They moan:

"Everyman, I am sorry of your fall, 

And fain would I help you, if I were able!" 

With their help he is directed to Knowledge, his last hope. Knowledge leads him to repentance and salvation. Everyman repents, offers his soul, and finds, at last, the peace and humility he needs to approach judgement without fear.

If a shrouded form approached and said it was time to lay our lives before the throne of God, would we be ready? Or would we offer Death a bribe, or a long list of good deeds, or a desperate plea for more time? In the modern re-telling that The National Theatre offered to audiences this summer, Everyman is living an extravagant and foolish life, and wakes up alone from oblivion after a night of relentless partying. God approaches him in human form and delivers the message of impending judgement, sending him on the introspective and desperate journey in search of truth and meaning.

I very much enjoyed reading this play and would love to see it performed. It may seem incredible that something so old can still hold such potent truth, but then that thought seems silly in light of the Bible itself and the timeless, perfect truth it still conveys.

Summer Reading Goals, year 3 - "Out of the Silent Planet"

There is only one day left in August, one day until the deadline for my summer reading goals. It's been a busy summer, and I have completed 3 out of 5 goals so far. I will continue on with the last 2  - I know what I'm going to read for those goals, I just haven't completed them yet - and will hopefully complete them within the next week or so.

The third goal completed from my list was to read the first in a new series. Technically it's an old series, and technically I have read this first book before, but it was many years ago and my memory of it was very, very vague, so I decided to start anew. The series I decided to tackle this summer was C.S. Lewis's Space Trilogy, and the first in that series is called Out of the Silent Planet. 

Out of the Silent Planet was published in 1938, one year after Lewis's good friend J.R.R. Tolkien published a little book called The Hobbit. Both of them were respected professors who shared a love of science-fiction and fantasy, and they would often bounce ideas off each other and share rough drafts. Lewis's Space Trilogy is less well-known than his remarkable fantasy series The Chronicles of Narnia or Tolkien's incredible epic The Lord of the Rings, but this "harder" sci-fi trilogy was published and acclaimed during a period now known as the Golden Age of Science Fiction (1920s-1930s).

Out of the Silent Planet is a fairly straight-forward work of sci-fi. An academic named Dr. Ransom is kidnapped by two scientists and forced onto a spacecraft bound for Mars. He soon discovers that he is to be presented to the planet's natives as a sacrifice and manages to escape his captors upon landing on the red planet. Alone in the wilderness, he realizes there are several different species on this planet, some to be avoided and some to befriend, and is soon taken in by a native race that live near the water and vaguely resemble otters. Aided by these kind creatures, he begins to learn the language and customs of this strange new world, better preparing him to face his human enemies as they creep ever closer. 

This book is slim - only about 200 pages - and enjoyably paced. Lewis introduces us to some very compelling creatures and customs, and I wish there had been more time spent with them. There is action, suspense and incredible descriptions. The landscapes he describes are colorful and strangely beautiful:

- It was this which finally convinced him [Ransom] that the things, in spite of their improbable shape, were mountains; and with that discovery the mere oddity of the prospect was swallowed up in the fantastic sublime. ...Here in this riot of rock, leaping and surging skyward like solid jets from some rock-fountain, and hanging by their own lightness in the air, so shaped, so elongated, that all terrestrial mountains must ever after seem to him to be mountains lying on their sides. He felt a lift and lightening at the heart.  -

The story culminates rather quickly and (spoiler alert) with Ransom safely back on earth. I felt rather sad that Lewis had taken all the time to create these creatures and landscapes and languages when he was not planning to return to them...for as I proceeded to the second book in the series, I realized it was taking a very different turn indeed.

I will not spend time on Perelandra right now, but it was not what I expected and definitely not the sequel I was looking for at the time. If you read this trilogy, take to heart the opening note which says that each book in this series can be read independently. The protagonist - Ransom - is the same in Perelandra, but his adventure is very different, his enemies fiercer, his surroundings stranger and the allegorical themes much, much stronger. 

I have not yet read the final installment, That Hideous Strength, but I will make time for it this fall. C.S. Lewis has the uncanny ability to go from light adventure to heavy theology in mere pages, and while it can be startling, it is never without purpose. Lewis's deeply allegorical style can take some getting used to, and not everything he writes will hit you with the right message every time. I don't think it was the right time for me to read and fully understand Perelandra. I'm sure that at another time in my life it will have a more meaningful impact on me. I still struggle to understand the deeper meaning of his re-imagined myth Till We Have Faces, while his descriptive and fantastical journey through heaven and hell in The Great Divorce is one of the most beautiful works of theological fiction I have ever read.

To conclude, Out of the Silent Planet is a solid work of science-fiction written at a time when the stars and planets held infinite possibilities. Space was the ultimate adventure for writers and dreamers in the early 20th century, and traveling with Dr. Ransom was an enjoyable and imaginative ride.